Tapestries

A quick Google search of "tapestries" uncovers a world of ideas for how to decorate the walls of the castles in your game world.  Sure, you could just tell the players they depict battles and such but opportunities to pass along information to the players don't come any easier than this.  Here's a few of the tapestries I found particularly interesting.

The Harryhausen Creature Collection

If you're a fan of the old movies which feature the animation work of Ray Harryhausen like I am, you'll love The Harryhausen Creature Collection website.  Much setting creature inspiration can be had while sifting through the pictures of his work all housed there for your entertainment and nostalgia.  Enjoy!

"What Planet are We From?"

It's an interesting question and unless you are placing your campaign setting on an Earthlike planet in a solar system like ours, one worth exploring.  There's a lot to consider that will need adjusting if you don't use some sort of Earth analogue.  Just one sun?  How many moons?  How does this affect tides?  How close are other planets and how many are there?  It seems likely that unless you have a reason to not use an Earth clone, it might be the easy and maybe even the best choice from the perspective of player familiarity.  However, if you are looking to possibly do something unusual or unique, start with some basics from NASA regarding planets around other stars.

Violence in your Campaign Setting

Aside from the violence perpetuated by the player characters in your campaign games, a GM needs to consider how much violence is inherent in the campaign setting as a whole.  In a recent EN World thread on Banditry, EN Worlder (and friend of the show ;-) ) frankthedm pointed us to Chapter Eight - Violence and its Control in the Late Renaissance: An Italian Model by Gregory Hanlon a section of text book on googlebooks called A Companion to the Worlds of the Renaissance (edited?) by Guido Ruggiero.  It touches on banditry and violence in late Renaissance times that is good food for thought when designing your own campaign setting.  Check it out for yourself.

Living Bridges

"In northeast India, a giant cliff leads into a hidden world, Meghalaya . . ."  The living bridges of Megalia are a sight to behold.  Built over generations, they are the only way the people of the area can cross the raging torrents of the river during the rainy season.  Read more here and watch a video here.

Cyclops Shark

Some photos have shown up on National Geographic News of an albino cyclops shark, fetal and taken from the womb of an adult Dusky shark.  Fascinating!

Video of OSR Maps from Samwise7RPG

Some very nice OSR Megadungeon maps were recently shared by YouTube's Samwise7RPG in video form accompanied by Music in the form of "Foretold Revelation" by Severed Fifth (it kicks in rather loud after a minute or so, so be warned!).

Biomes

If you're looking for some ecological and biological inspiration while world building, be sure to check out the website set up by the first year students from the Marietta College Department of Biology and Environmental Science.  It's got just enough information on many of the world's biomes to give an overview, just how you want to get your player's interested without overwhelming them.  It covers temperature, precipitation, geological information, flora, fauna, and the other basics needed to present a region in a complete but quick manner.  They also have lots of excellent charts and photographs to help better understand the diversity of each location.  Enjoy!

Window Dressing for Medieval Fantasy Settings

I had such an enjoyable time Google searching for Medieval doors the other day, I thought it might be fun to take a look at, if not through, Medieval windows.  Here are some of my favorites for inspiration.

I like the way they aren't lined up evenly.

That looks like an easy climb.

That took a while to make.

Bars and shutters!

There's plety more to see you surf around a bit on your own.

Portal to Flavor

A door can say a lot about where you are entering and also where you are.  While many game books focus on the action in their illustrations, too few give a close look at the details of architecture, particularly doorways,  A quick Google search of Medieval doors will give you an amazing selection of what you can show to spice up any situation when an adventuring party comes to an opening.  Here are some favorites of my own even though some are merely modern renditions or interpretations of how they should appear.  Try kicking in a few of these!

Best Fantasy Setting Sourcebooks?

Chris Flood, over on RPG Geek, has begun a thread regarding the "Best Fantasy Setting Sourcebooks" using a composite rating system.  He has included the following caveat -

Although most of these are D&D settings, that game is not necessarily the best fit for them. If you've got a favorite generic system (. . .) by all means, use it for any or all of these settings. I've tried to take it a step further by suggesting systems that would specifically enhance the feel of the setting it's paired with.

Check it out and see how it stacks up to your own opinions.

Learning about Caves and Caverns

If you are going to make some cavernous setting locations available for exploration, it doesn't hurt to do a little research about how they are formed, what naturally occurs in them in regard to obstacles and dangers, and, of course, plant and animal life. There are a lot of free resouces online, of course, and few more reputable than NOVA.  Check out some of their slideshows and videos for inspirarion.

The Inventions of Flavor

Every once and a while, and then some, I run across a book I hadn't even heard of that is useful for adding flavor to a Medieval Fantasy campaign or setting.  Recently in a resale shop, I found an English translation of an Italian book on Medieval inventions.  It doesn't cover everything, but it cherrypicks some very cool devices and elements that show how the Middle Ages shouldn't be looked upon as an era devoid of progress.  Not everything prior to modern times was invented either by the ancients or in the Renaissance.  Chiara Frugoni is a well-respected Italian historian whose books like A Day in a Medieval City should be standard reading for any Game Master.  The book I am touting, though, is Books, Banks, and Buttons and Other Inventions from the Middle Ages (also available in softcover).  I'll let you check the reviews on Amazon but know that I have enjoyed it, too, and recommend it as well.

Revisiting Robert E Howard

I've been reading over some old Conan books lately, and checking out some newer more faithful editions/  Maybe I am just more forgiving than a lot of fans but I'm not particularly put off by the work of L. Sprague de Camp or Lin Carter from the famous, or infamous, ACE books series of the Seventies.  Those were my introduction to Conan in those early days, along with their iconic Frazetta covers, so perhaps that makes me more immune to the liberties other authors took with Howard's work.  Of course, I have read Howard's stories since in their unadulterated form, and they are better in many respects, but I cannot help but wonder if they would have come to such prominence in modern times if not for de Camp fanning the flames of the genre and particularly of Howard's Conan, often through de Camp's Amra zine, for so many years.  As I read more of the stories again, I'll discuss what aspects make for good use in tabletop roleplaying game campaign settings, and how to help make the transition from the written page to the tabletop without taking away form the game aspect, that is, without restricting or railroading the play characters in the process.

Two Cents on Making Sense

In a recent EN World thread, Kaodi asked if architecturally sensible locations helped make tabletop roleplaying games better grounded for the players.  I responded as follows.

As much as I hate to generalize about types of gamers (and gaming styles), allow me to do just that even though I will specify that these types of gamers (and styles) can become one another over time, sometimes can even become one another from one session to the next, so heed that advice while thinking over the following . . .

In my experience dungeons that make sense are easier for logic-minded players to handle and overcome.  I also know that in such situations a little bit of surprise goes a long way.  Non-logic-minded players seem to be more surprised by even things I tend to think logical, but also seem to need more depth in the encounters individually.  But dungeons that make sense are not always a matter of architecture.

To give some quick examples to the point, I was recently revisisting Eric Noah's RPG pages and saw some maps that will help illustrate what I am posting.  Eric Noah, for some newer EN Worlders who might not realize, ran a site that was the progenitor for this website, hence the E. N. in EN World (and the E. N. in ENnies, which I am proud to say I first suggested).  Since the Mid-Nineties he has kept a journal of his campaigns online here including maps that people can grab and use for their own campaigns if they like.  Hopefully, he will not mind my using his efforts for my examples to follow.
Notice, for instance, the dungeon maps for the Multilevel Tomb.  Most of the twelve levels utilize but a single map -

Most Levels of the Tomb

These levels don't vary in architecture at all though adventurers might find very different inhabitants within the various chambers on each level, many that might or might not make sense.  However one level, though originally the same, has been added to by "The Wolf Tribe" who has carved out grottos to suit their purpose -

Level Six

Adventurers that first discover these changes when exploring the levels one by one will definitely feel a thrill at the differences but that's as much because of the otherwise sameness of the whole.
Alternately, though for similar reasons, the Caves of The Red Tooth Tribe seem chaotic in comparison.  However, if one were to see the write up for the following map, I'd imagine that it is divided into sections where different activities and purposes are at hand and adventurers would discover a rhyme and reason to the hodgepodge of tunnels and chambers.  There would be chambers to raise the young, sleeping chambes, an armory and weapon storage, training areas, places to prepare and cook food, etc.  When the adventurers begin to see the places and patterns, it will all make good sense.

Red Tooth Tribe Caves

So, while the architectual design can make sense, as in the first maps, their usage at the time when adventurers explore tham can be quite chaotic, and the reverse can also be true of rambling dungeons where the inhabitants are primarily all working toward a single purpose.  I see a lot of the same adventure design in Eric as I have had myself over the years.  I tend to err toward the end of making things "Pretty of Purpose," when appropriate, but to honor the history of a location with appropriate architecture as necessitated by the earliest inhabitants, if they were so skilled.

RPG World Building - According to Samwise7RPG

Back in July of 2010, Samwise7RPG of YouTube fame put together a series of five vlogs on RPG World Building and Setting Creation that I thought I'd share with my readers here.  Enjoy!